日期：
2024年 11月 18日 至 29日，星期一至五
时间：
晚间 7点 至 10点
地点:
NYT Studio
28 Aliwal Street, #02-09, Aliwal Arts Centre, Singapore 199918.
导师:
谢燊杰、徐山淇
教学语言：
英语
学费：
$800
技能创前程培训补助：
本课程正在等待获得“技能创前程培训补助” 使用批准。
课程现已开始接受报名。
点击 此处 报名。
报名截止日期：2024年 10月 27日，星期日
「观点」：
我们将了解「观点」的要素，以及训练背后的理念。这门课的目的是在于建立表演者的身心意识，同时挖掘我们体内的本质冲动。
关于「观点」：
「观点」是由编舞家 Mary Overlie 发展，后由剧场导演 Anne Bogart 再发展的一套表演者训练。它通过发展时间和空间的共同意识，来训练表演者如何一起工作。这些意识可以被分解成诸如形态、动态、建筑、动觉反应、时长等等的元素。
“「观点」训练可被视为表演者与时间和空间的意义关系。它关乎表演者对自身存在的感知，对已经存在和正在发展的事态的感知。它是与他人合作、建立团队、建立共同语言的方法。它是以新的视角来看待事物的一种练习。”
— 谢燊杰
“「观点」是一种哲学，它可被转化为（1）训练表演者（2）建立团队（3）为舞台创造动态的技巧。”
“「观点」是动作原理在时间和空间层面上的一组名称。这些名称构成了让我们得以讨论舞台上正在发生的事态的一种语言。”
“「观点」也是表演者或创作者在工作时使用的意识点。”
— Anne Bogart
学员反馈:
"I now look at Viewpoints as an excellent tool for increasing my awareness and sensitivity to what is
outside of my mind." — Ann Teo
"It definitely exceeded my expectations. I love the structure of the course and the rigour it has, both in concept and practice. Both instructors gave us really well thought out excercises that facilitated our learning, and I really benefitted from it. I feel like it is a course all actors should go through. As a performer, it is an expansive practice of interacting with space and time on stage that is both deeply internal and physically embodied. It opens up endless possibilities of being on stage, and pushes us to notice and respond to whatever happens in a way that is sensitive and in tune with the ensemble" — Esther Koh
"It gave me the vocabulary in the form of words, movement etc to work on in terms of creating my form of art." — Tanvi Pravinchandra Kothary
"每一堂课，从零开始学习，将每节课学习的运用到每次的练习。" — Goh Hui Ting
"I LOVE IT. I enjoyed Mia and Nelson’s teaching style and questioning to encourage the performers to
push themselves." — Chong Wei Kiat
"Generous, well crafted classes by committed mentors who enable creative evolution in a safe space." — Neo Mei Qi
"Throughout the activities we had done in the past two weeks, it really helped with the way of my movement and raised my awareness of the action I took on the stage." — Tay Qing Xin
