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Nine Years Theatre's "Everything for You" and the Maturing of Singaporean Theatre

17 February 2024

When the Esplanade was opened in 2002, with the main theatre having a capacity of 1,900 seats and the Concert Hall seating over 1,600, one of the big questions asked was...

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共处的智慧

2018年 7月29日

安•柏卡(Anne Bogart)是美国SITI剧团的艺术总监之一,是导演,也是当代思想家。今年六月,我参与SITI剧团一年一度的夏日工作坊(SITI Company Summer Workshop)。在工作坊中,六十位来自世界各地的艺术工作者 ...

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剧场人的社会责任——
参加美国SITI剧团工作坊的觉悟

2018年 7月28日

工作坊开始的前夕,来自世界各地的艺术工作者齐聚一堂。我们接下来将会一起生活、一起工作、训练。美国导演安•柏卡(Anne Bogart)站起来说话:“先把要紧话说在前头吧…… 这一个月里,大家合作工作时,难免会遇到种种费解的难题、超乎想象的困难 ...

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Yeng Pway Ngon Talks about Art Studio

July 2017

Before writing Art Studio, there was a period of time when I would meet up with a few artists every week to do sketching. I was thinking, not only does every artist have their own ideals in artistic pursuit, they also each has a unique journey in their lives. Hence, this triggered...

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隔代的艺术交流

Oct 2016 | 梁海彬

当我知道九年剧场打算邀请本地资深演员参与舞台演出时,我就开始在期待了。

作为九年剧场“演员组合计划”的演员之一,我见证了九年剧场三年来不断给观众呈现不同类型的经典剧。今年十月,九年剧场呈献台湾经典剧《红色的天空》,请来了八位...


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Two Weeks of Theatre Pilgrimage

Sep 2013 | Mia Chee

August 2013. I've been given the honour to be sponsored by the National Arts Council to participate in the Suzuki Company of Toga (SCOT) Summer Training Programme. As Peter, my co-participant, and I made our way up the winding road of the Toga village, we were greeted by the serenity and grandeur of tall trees erected on endless mountains...


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The Invisible Body and the Suzuki Method of Actor Training

Jun 2013 | Nelson Chia

The Suzuki Method of Actor Training was developed by Tadashi Suzuki together with his company The Suzuki Company of Toga (SCOT) around the 1970s, when he decided to move his theatre company from Tokyo to the mountain village of Toga in Toyama, Japan...

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Expectations for the Actor: 10 Basic Qualities

Dec 2012 | Nelson Chia, Translated by Neo Hai Bin

When I first encountered theatre, I was an actor. Then I started to direct and teach, and in 2012, I set up "Nine Years Theatre" and became its artistic director. Over the years, I have always considered my primary role...

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郭宝崑 国际论坛--圆桌会议

Sep 2012 | 谢燊杰

2000年至2002年间,我曾在实践剧场担任驻团导演/演员。郭生离开我们的那一年,我正好也离开了实践,成为自由身剧场工作者。10年后的今天,我自己的剧团"九年剧场"正式成立。这10年来,郭生曾给予我的指导和教诲一直影响着我的艺术创作...


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Newsroom

Nine Years Theatre Ensemble: To Work With a Common Language
(PDF, 245kb)

剪报是习惯也是一种心情
(PDF, 323kb)

Sailing into Theatre as a career
(PDF, 5.8mb)

Faces to Watch
(PDF, 484kb)

艺术团体共享优质空间
(JPG, 1.5mb)

剧场夫妻 台上有戏 台下有情
(PDF, 875kb)

No rest for the wicked
(PDF, 650kb)

2017年艺坛新星期待新光芒
(PDF, 329kb)

眼睛有神利于塑造角色
(PDF, 288kb)

Nelson Chia - Cultural Translator, ensemble builder
(PDF, 348kb)

The Life Theatre Best Director nominees
(PDF, 203kb)