Suzuki Method of Actor Training / Viewpoints Class

25 Sep 2017 - 6 Oct 2017 (Mon - Fri only)

10.30am - 1pm (SMAT)
2.30pm - 5pm (Viewpoints)

NYT Studio
28 Aliwal Street, #03-02, Aliwal Arts Centre, Singapore 199918.

$350 for for taking 1 class, $600 for taking both classes.

Taught by:
Nelson Chia, assisted by NYT Ensemble

Conducted in:

© Nine Years Theatre
Application is now OPEN

Deadline for application: 1 September 2017, Friday, 11.59pm.

Applicants will be notified of the outcome in mid September.

To apply, please:
   1. Click HERE to download the application form**.
   2. Submit the form via email with the subject title 'SMAT & VP APPLICATION'.
   3. Email it to

**You'll be able to edit a PDF with Adobe Reader.

*The Suzuki method requires the use of traditional Japanese white tabi socks. Tabi can be purchased from Nine Years Theatre at $20 per pair.

Participants may also get their own tabi from outside sources. Please ensure that the tabi is white in colour, made of 100% cotton, and with 4 buckles. It should be a snug fit.

*Click here for a list of suitable accommodations available in Singapore.

*To be updated on our future classes and training sessions, please subscribe to us (on classes page).
In 2017, we are consolidating our Suzuki Method of Actor Training (SMAT) and Viewpoints classes. They will be taught on the same days (SMAT in the mornings; Viewpoints in afternoons) so that participants may have the opportunity to experience both trainings together in the same period.

While applicants are encouraged to apply for both classes together, they may, however, choose to apply for either SMAT or Viewpoints only.
The Suzuki Method of Actor Training
Participants will be taught the 6 basic disciplines of the Suzuki Method of Actor Training. This is a class for beginners, no prior experience in the method is required. Also suitable for actors who have experienced the method and are looking to refine their training in the basics.

About Suzuki Method of Actor Training:
The Suzuki Method of Actor Training is a training system created by Japanese director Tadashi Suzuki. Through a series of disciplines (basic exercises), the method focuses on enhancing the three important aspects of the actors' art: energy production, breath calibration, and centre of gravity. Taken together, these three aspects work towards the cultivation of the “invisible body”, the uncovering of the actor's inner potential and the development of a creative actor.

This training requires committed physical work from the actor.
Viewpoints is a method of performer training based on the works of Mary Overlie and Anne Bogart. It trains performers to work together by developing a common awareness of time and space, which can be broken down into elements such as shape, movement, architecture, kinesthetic response and duration, to name a few. This is a class for beginners, no prior experience in the method is required. Participants will be taught the fundamental elements of Viewpoints in this course. Also suitable for actors who have experienced the method and are looking to refine their understanding in the training.

"Viewpoints is about having a meaningful relationship with Time and Space. It is about the awareness of being, of events that are already existing, and of events that are emerging. It is a way of working with others, of building ensemble, and of establishing a common language. It is a practice in seeing things with new perspectives."

-- Nelson Chia

  • Viewpoints is a philosophy translated into a technique for (1) training performers; (2) building ensemble; and (3) creating movement for the stage.
  • Viewpoints is a set of names given to certain principles of movement through time and space; these names constitute a language for talking about what happens onstage.
  • Viewpoints is points of awareness that a performer or creator makes use of while working.

-- Anne Bogart